Growing up in my native Buenos Aires, painting was my first language. I was shaped by the intensity of the city—the traffic, the maze-like streets, the layered textures, smells, and energy of urban life—as well as by the quiet precision of watching my father, an architect, draft blueprints in his studio. Those early experiences continue to inform the visual language of my work today.

My creative path has been far from linear. It began with painting, expanded into literature and writing, then filmmaking and photography, before ultimately circling back to the medium that first felt most instinctive to me. Though the form of expression shifted over time, the constant thread has always been a deep impulse toward storytelling, visual language, and emotional expression.

Today, I create layered abstract paintings in acrylic on unstretched canvas and wood panels. My work lives at the intersection of urban iconography, architectural structure, and intuitive play, exploring the tension between order and chaos, harmony and imperfection, stillness and noise. Cinematic influences often surface throughout the paintings, as fragments unfold like storyboards or suspended film stills, transforming the canvas into a parallel cinematic space.

My process balances control and unpredictability. I often use stencils and painting guides to create sharp architectural edges and structured forms, while introducing more instinctive marks and uncontrollable shapes using eclectic objects that inhabit my studio: baking tools, sewing instruments, discarded containers, building devices. These materials become collaborators in the painting process, creating unexpected textures, rhythms, and interruptions that push the work beyond conscious planning. In this way, each painting becomes both a construction and an excavation: surfaces are built up, obscured, distressed, and revealed again, allowing the history of the process itself to remain visible.